The music was quite a big part of the process of how the film grew because it was played both on set and for Joaquin [Phoenix] to listen to in-ear. Again, I’ve really experienced the rawness of loss, so I felt the most honest way for me to connect to that was through my own voice. [Scoring] was also a practical decision, and I’ve really been enjoying it so far.It was a huge job to take on because it’s an event that’s affected so many people you know and don’t know. Awards: Hollywood Music in Media Awards - Best Original Score in a feature film.
I think that’s why I was a pretty bad classical musical student.

He’s just the most inspiring person to work with because he’s the master of field recordings. So what was with all the advertisements for this purple version being limited to 750 copies? I found these tiny sounds that were in almost inaudible registers and then brought them down to audible registers to be able to work with them. Incidentally, women, but it’s not because they’re women, it’s because I love their approach to music. Society of Composers and Lyricists - Outstanding Original Score for a Studio Film. I have other pretty looking soundtracks but this one is probably the best sounding of the small lot (except that speakers corner release of Breakfast at Tiffany's that is simply glorious, though it's not colored so relatively not as pretty). Instead of going inside and slamming doors and banging on things, I found it much more interesting to just open my ears.

It felt like the most respectful way of working with the space. Music By, Composed By [Score Composed By] – Hildur Guðnadóttir Orchestra – The Hollywood Studio Symphony Orchestrated By [Orcestration], Conductor …
It was such a wonderful production, so it would be horrible not to go and give them a high five. It’s such a significant event in our history. Of course, the cuts change all the time, so you have to re-edit, re-do, and re-compose for whole new scenes. There was absolutely a lot of composing to picture afterward, but starting early was an effective way of setting the tone before shooting.

Halldorophone [Dorophone], Voice, Cello, PercussionManagement [Executive In Charge For Music For Warner Bros. Pictures]Management [Executive In Charge Of WaterTower Music]Mixed By [Score Mixed By], Mastered By [Score Mastered By]Orchestrated By [Orcestration], Conductor [Conducting Of Orchestra & Choir]Producer [Soundtrack Album Produced By, Score Produced By]Sound Designer [Additional Musical Sound Design], Synth, Programmed By [Pogramming]Sound Designer [Musical Sound Design], Percussion, Programmed By [Programming] I’m also not good at the whole meet and greet aspect of the industry, so it’s better for me to hide out and never meet anyone. If you need to record things like ants and glaciers, he’s the person who knows what to do. The power plant itself is such a big character — these long corridors, and enormous, enormous rooms. I wanted to try to imagine what the fear of radiation and fear of the space you’re in could possibly feel like. Entertainment Industry Interviews | Music in Media News | Weekly Podcast | Film Music | Music SupervisionPop Disciple, Music Supervisor, Music Supervision, Robin Urdang, Emmys, Interview, The Marvelous Mrs. Maisel, Younger, Luca Guadagnino, Ruby GartenbergPop Disciple, Christopher Lennertz, Costa Communications, Ray Costa, Ruby Gartenberg, Paul Goldowitz I’m actually not a huge people person. When I had my son, I had to stop touring as much, and incidentally got more and more film work. Not only do you have to bury your loved ones, but they also pour cement on them. Cello, Zither, Electronics [Processors], Voice, Halldorophone We had such a great time during production as well. I think the biggest things the music had to communicate were the nuclear, spatial side, which represented the fear and radiation aspects, and then the human element — the sorrow and grief, the tragedy of a human error with consequences, and the politics of how it was dealt with. Now we have our dogs here, and people bring their kids in. I just opened up all of my senses and just searched. Hollywood Music in Media Awards - Best Original Score in a feature filmSociety of Composers and Lyricists - Outstanding Original Score for a Studio FilmBritish Academy Film and Television Award - Best Film MusicWorld Soundtrack Awards - Television composer of the yearPrimetime Emmy Awards - Outstanding Music Composition for a Limited Series, Movie or SpecialGrammy Award - Best Score Soundtrack for Visual MediaCinema Eye Honors 2018 - nomination for best original musicMusic: Hildur Guðnadóttir, Jóhann Jóhannsson and Rutger HoedemaekersMusic: Hildur Guðnadóttir, Jóhann Jóhannsson and Robert A. A. LoweTurkish Filmfestival in Frankfurt 2014 - best original musicRobert Prisen 2013 - nomination for best original music It seems like a pressing problem. And then, all my vocals [in the score], which are the human element — they were all sent through these impulse responses. There are a lot of ways to work with space. It was almost like being on a nuclear treasure hunt. I didn’t want to go in there and activate the space myself. Well, I approached it in two ways. I think what I appreciated most was the level of trust he showed me.